At Home in Any Situation

ULN-8 is the perfect tool for capturing audio wherever inspiration hits, in the studio or on the road. Well suited to any recording situation, you can record and edit on the road, in the hotel, on the airplane, or wherever inspiration hits. Use 3 ULN-8s chained together for 24 tracks of live concert recording with processing on all channels in 3 rack spaces. Location sound engineers can now capture the moment — anywhere, anytime.

When you’re done recording, use the ULN-8 in the studio as an extremely high quality audio interface to transfer your tracks into a DAW. You’ll be amazed at the sound of this box! And weighing only 6 pounds, and a little larger than a laptop, you can be the first one out of the gig, with no hassle.

The ULN-8’s archival grade inputs and outputs, coupled with Metric Halo’s exclusive Character processing, provide flexibility and sound quality unavailable on any other interface. You can transition from a wire-with-gain to a gooey tube pre with one click of the mouse, and every input can have the right character for the material you are recording.

The ULN-8 is the only unit in its class with an on-board processing engine that supports fully instantiable processing, allowing you to use Metric Halo’s world-renowned signal processing effects without sacrificing your computer’s processing power or introducing any additional latency in your monitor path. From MIOStrip to HaloVerb, the ULN-8 comes with a full +DSP license that provides all the basic production processing you need — and more. And remember, this one rack space audio interface has the ability to run entirely from any DC power source (16V-30V), making it truly and completely mobile.

Organically Scalable

A unique feature of the Mobile I/O system is that MIO’s work well individually or as a group. Mix and match ULN-8 with 2882 and ULN-2 units to create a system that meets your needs for track count and preamp power. Adding a unit to the system organically increases the DSP power of the system, so that your DSP always scales with your I/O. Break your system up for small gigs when playing out or add the units of your mates to build a huge system when required. By standardizing on the Mobile I/O platform, each member of the band can have ultimate quality while working alone, and the band can have huge track counts when playing together. You can’t lose!

Stand-alone Operation

Flexible signal routing and sophisticated patch and preset management systems as well as a comprehensive set of front panel controls are also featured in the ULN-8. The ULN-8’s front-panel controls allow the unit to function equally as well as a stand-alone Mic Pre/Converter system. In standalone mode, the ULN-8 operates with the converters directly routed to and from the AES I/O, and the analog domain sends allow purely analog operation of the preamps.

As a standalone converter, the ULN-8 provides a 24bit/192kHz eight channel front-end with 8 world-class boutique-quality ULN mic pres for any recording system. It also functions seamlessly as an analog monitor controller, making it ideal as a digital headphone amp and studio monitor controller.

Applications

The ULN-8 supports a variety of applications. For studio recording, it provides a very high quality interface to a DAW, offering sound processing or simple file transfer between workstations. Its exceptional sound quality makes it perfect as any studio’s primary analog to digital conversion and monitoring chain. Songwriters and engineers can use the ULN-8 to record and edit on the road, in the hotel, while traveling, or anywhere that inspiration strikes.

The ULN-8 is suitable for broadcast applications, too. It offers instant playback of 8 individual stereo sends for music cues or sound effects, or smaller numbers of surround stems. The compact package and portable power features mean that the unit can go anywhere users need to work, and make on-site fixes or edit location recordings without the need to send files back to the studio, saving valuable time before air.

In the live performance arena, in addition to operating as a remote recorder for archiving performances or to play out backing tracks and musical cues, the ULN-8 can operate as a soft-synth mixer and I/O interface.

ULN-8: Built upon the 2d DSP Processing Platform and MIO Console 5

The ULN-8 is built upon the 2d Card — a massive DSP processing engine that forms the nerve center of the ULN-8. The 2d Card provides a substantial amount of DSP power to drive the zero-latency mixing and processing environment that is integrated in the ULN-8 and also provides 8 channels of 192k AES I/O.

Future Proof

In 2001 we introduced the 2882 and called it “Future Proof”. Nine years later, while the competition has obsoleted multiple generations of products, the 2882 is still arguably one of the best FireWire interface available on the market... until the introduction of the ULN-8. In 2003, we released the ULN-2, with the finest preamps available in any interface... until the introduction of the ULN-8. With the release of the 2d Card and v.5, we delivered yet again on our commitment to making “Future Proof” products that stand the test of time. The ULN-8 is the next entry in our line-up of Future Proof products.

While other manufacturers churn you with the special of the day, we build products that preserve your investment and deliver for you year after year and project after project. It is our philosophy and we take it seriously.

Includes the Integrated v.5 Mixer

Included with every ULN-8, the v.5 Mixer is a completely customizable mixing engine. You can create custom mixers either from scratch or start with any of the templates we've included to get you started quickly. With the v.5 Mixer, your ULN-8 can be a mastering console in the morning, a tracking console in the afternoon, and a live sound mixer/recorder in the evening. Whatever the application, you can configure an elegant custom setup.

Not a mere computer interface cue mixer, the v.5 Mixer is a sophisticated Digital Console built into the the ULN-8. With support for mono to 7.1 mixing, multiple busses, arbitrary sends, insertable zero-latency plug-in processing, completely customizable mults, and Metric Halo’s exclusive Character, the v.5 Mixer is limited only by your imagination. And, it is completely phase compensated, no matter how complicated the routing is.

Latency-Free, Time-Aligned Mixing Architecture

The v.5 Mixer is based upon the +DSP graph technology originally designed for +DSP. Since the +DSP graph provides infinite routing and multing capabilities with integrated latency compensation, the addition of full access to all I/O resources means that everything can go everywhere in the ULN-8, with the unique benefit that all signal paths are automatically time-aligned. This has incredible implications — you can route anything anywhere and never have to worry about routing delays. All sends and busses are automatically realigned with the primary bus, bringing back analog simplicity to parallel routing, with digital simplicity in set up and recall.

The v.5 Mixer manages all of the plug-ins and connections within the DSP for you. So, even though you may be creating an incredibly complex network of plug-ins with many mults and bus to bus routes, the user interaction required for you to control the system is simple and direct.

The v.5 Mixer works as complex routing manager, adding plug-ins (including mixer plug-ins) to the DSP based upon your configuration commands. Because the DSP engine automatically configures the runtime environment to compensate for routing latency in the configured DSP graph, you can rely on the fact that bus to bus routes all arrive with no routing latency. This allows you to configure sub-mixes and stems, including sub-bus processing, without having to worry about phase-cancellation problems or other latency related issues.

Direct Insert of Plug-ins

With the v.5 Mixer, you can now take advantage of a sophisticated direct insert model. Just insert the plug where you want to process the signal. Done!

v.5 Mixer Direct Plug-in Insert (in the inserts!)

Of course, with the included +DSP license, you are not limited to simply putting plugs in inserts and simple linear routing of Plug-ins. You can always insert a +DSP graph in any insert in the mixer to add a routing playground, allowing you to split, mult, parallel and feedback signals to your heart’s content. And then you can save the graphs as your own “Secret Weapons” - instantly instantiable with two mouse clicks.

Multi-Bus Mixing

The v.5 Mixer allows you to create an arbitrary number of busses (limited only by the capabilities of your hardware) — each of which can be used as a master bus (routed to an output) or an aux bus (routed to other busses). Each bus is dynamically adjustable from mono to 7.1 surround. The busses can be mapped directly onto the main control UI or driven by sends. Basically, make the mixer what you need it to be. And multiple busses of multiple types are supported at all sample rates. Unlike some other products on the market, all inputs can be routed to all busses (even mults of any input), so you won’t be limited in what you can mix.

v.5 Multiple Busses, Multiple Types, and Sends

Sends

As mentioned above, any input can be sent to any bus. Sends are simply inserted in any insert slot, which means that you can send pre or post processing. Each send can be pre or post fader, so it can track the mix of the main UI or it can be used as a completely independent send. Every bus in the system can be returned to any other bus in the system, so you can use the busses as internal auxes, mix-minus feeds, PFL busses, etc. Anything you can think of, you can accomplish with the flexible routing engine in the v.5 Mixer. The v.5 Mixer provides an innovative send window that gives you a consolidated view of all the sends for the selected bus with a full sized fader for the send level, per-bus solos and channel mutes, and support for any width send bus (that’s right — you can send to a surround bus!).

v.5 Sends Window

Ultra-Low Latency

One of the primary advantages that dedicated DSP-based systems have traditionally had over native DAWs is their latency performance. Round-trip Latency is how long it takes for a signal sent into the DAW to come back out, and it is a primary consideration for musicians when monitoring their performances. With the ULN-8 and v.5, you get the best of both worlds — ultra-low latency native performance and even lower dedicated DSP latency performance when you want it!

With roundtrips through the computer to utilize native Plug-ins, the combination of the hardware and driver allows the use of extremely small buffers (32 samples) on modern computer hardware. Coupled with the best-in-industry safety buffers of the MIO Driver, you can achieve less than 5ms (4.53ms) Round-Trip latency at 32 samples @ 44.1k, and you can go below 3ms (2.6ms) Round-Trip latency at 32 samples @ 96k, again rivaling the performance of PCI-based solutions, yet with the convenience and portability of FireWire.

And if that performance is not sufficient for your monitoring needs, the ULN-8 allows you to monitor through +DSP Plug-ins with an incredible 1.5 ms of latency @ 44.1kHz and less that 0.7 ms of latency at 96k. This gives you dedicated processing at latencies that correspond to less than 2 ft of sound propagation through the air. As good or better than dedicated digital mixers!

Integrated Surround Monitor Controller/Switcher

An exciting new feature included with ULN-8 is the Monitor Controller with Digitally-Controlled analog gains. This is a consolidated, configurable routing engine that allows you to easily route and control the output gain of any set of sources to any set of outputs, from mono to 7.1 surround. The monitor controller lets you switch between inputs and busses with a single click. You can also select between outputs (like big and small monitors, or stereo and surround monitors, or monitors and cans), with a single click. The ULN-8’s front panel controls are linked to the Monitor controller allowing you to select sources and destinations from the tactile controls, and also to control the monitoring gain for the selected output path via the dedicated monitor control knobs.

v.5 Monitor Controller

The Monitor Controller is smart enough to automatically route sources to the proper output channels, even mapping between different sized sources and outputs (mono -> stereo, stereo -> 5.1, etc.). All output gains are applied across all the channels of the output path automatically. The Monitor Controller also supports both per-channel and per-path calibration, so you can calibrate your output path to standard monitoring levels (for example, the K-Standard).

Routing of Inputs to Computer

In the ULN-8, all inputs to the computer are routable within the box; this gives you an incredible amount of flexibility and power in how you can use your MIO. The combination of mixer strip direct outs and FireWire routing allow you to choose the inputs to your computer dynamically:

• Record Pre or Post Processing… or both
• Record full mixes or individual stems
• Use the MIO as an outboard processing rack
• Use the MIO to route signals between any set of CoreAudio applications
• and much more…

Full Surround Support

Any bus in the v.5 Mixer is adjustable between Mono and 7.1 surround. The mixer dynamically adjusts with context-sensitive panners and allows you to adjust to the needs of your current project. You can even mix in different formats simultaneously. The mixer will even automatically adjust the width of inserted Plug-ins as you adjust the widths of the busses. Coupled with the integrated Surround Monitor Controller/Switcher, the is the most powerful integrated surround interface on the market. You won’t believe what you can do!

v.5 Surround Mixer

Full and Flexible Metering

The v.5 Mixer supports user-selectable pre- or post- fader metering on all strips (including sends) as well as hardware metering for hardware I/O. Plug-ins have detailed metering where appropriate. All Metric Halo hardware has real, usable Front Panel meters. We don't skimp on metering. Not that you would expect anything less from the creators of SpectraFoo!

User configuration of strip colors, size and position

Your gear is as personal as the music you make and record. You spend a huge amount of time looking at the mix surface of your system; it should reflect your preferences and tastes. So every strip in the v.5 Mixer can be adjusted in size and color to reflect your mood. You can also use this configurability to organize the mixer in a way that makes sense to you. Color and position can be used to segregate channels by type, source, and function — all in the way that makes the most sense to you. The mixer defaults to a nice, readable, neutral color and size, but you are free to make it as garish as you like.

Incredible Sound

The ULN-8 was designed as a no-compromise audio front end. With Archival grade converters, exceptional preamps, and the analog-domain monitor controller the ULN-8 builds upon the Mobile I/O’s deserved reputation in the industry as the best sounding interfaces around — and kicks it up a notch or ten. +DSP also enjoys a reputation for incredible sound. The v.5 Mixer provides sound and ergonomics that competitors can’t touch — all while providing direct access to +DSP Plug-ins, Character and highlighting the exceptional transparency of the ULN-8 converters and preamps.

2d Plug-In Bundle

Every ULN-8 includes a full +DSP license — providing access to a wide variety of essential signal processing Plug-ins. All +DSP Plug-ins operate with zero additional latency, providing professional quality, best-in-industry latency performance for processing with native systems (meeting or beating the latency performance of dedicated hardware Digital Audio Workstations).

The +DSP license includes a variety of Plug-ins including Multi-band EQs, Compressor, Limiter, Distortion Processors, and many more. With the +DSP license, you also have access to insertable graphs which allow you to build your own “Secret Weapon” processors — wrapped up, phase compensated graphs of Plug-ins that may be re-inserted on demand.

Finally, the +DSP includes many bonus Plug-in Macros — insertable, pre-configured processors, including Guitar Amp Models, Guitar Processors, Parallel Compressors and Limiters, Mid/Side Mastering processors, Vintage-style reverbs and many more…

Use the following table to see the differences between the plugins included with the 2d Card and the additional plugins and macros that you get with the +DSP bundle:

System-wide +DSP Licensing

MIO Console v.5 automatically extends your ULN-8’s +DSP license to all the boxes attached to your system (for boxes that are 2d Expanded) while the boxes are attached. What this means is that you can use any +DSP Plug-in or macro on any box in your system, as long as at least one +DSP licensed box is attached. If you need to store +DSP Plug-ins in persistent states or tend to split your boxes into multiple systems, you will need to license each box that needs to use the +DSP license independently — but every ULN-8 is already licensed from the factory!

“The best thing, for me, about MIO Console v.5 with my 2d Expanded ULN-2 is the superior sounding HaloVerb for my flute and EWI performance. Before v.5, I had to send input signal to Plogue Bidule for reverb processing, but of course that increased the latency. Now with v.5 I am latency free with my performance reverb!

The new v.5 Mixer window offers very flexible routing with ease of use. I can add send/return to +DSP very quickly, and the new Send window gives full feedback and control over dry/wet signal. This is like a dream come true…” — Hiroaki Honshuku
Musician, Flute & EWI
A-NO-NE Music, Boston
Read More…

Metric Halo’s Exclusive Character Signal Processing

Every channel in the v.5 Mixer, including Bus Masters, has our exclusive Character signal processing available. We took a hard look at the characteristics of the euphonic distortion found in “classic” analog devices and components (like tubes, fets, and transformers) and built a process to integrate that euphonic distortion directly in the hardware.

Character allows you to turn the pristine ultra-low distortion preamp inputs in the HW into classic “character” pres. By adding Character to your summing bus, the v.5 Mixer instantly acquires the characteristics of classic (and modern) analog summing busses.

The best part is that you can choose the Character that suits your Mic, Source or mix — because v.5 ships with more than 15 different types of Character — and one is sure to suit your needs.

It is hard to describe the effect of Character in words, but our beta testers have been moved to try. This is what they have to say:

Many templates included to get you started quickly

It is said that a picture is worth 1,000 words. Well, a template is worth 10,000 words. MIO Console v.5 ships with a collection of pre-configured templates to get you started quickly. The templates also supply a great starting point to see how to approach a problem, and also to just see what is possible.

You can access these templates with a single click in MIO Console:

Open Template Window

Updated Record Panel

Originally designed to record the Soulive Winter 2002 tour for their live album release “Soulive” on Blue Note records, the Record Panel is an industrial strength, massively multichannel, ultra-reliable recording engine. Supporting multi-box, multichannel recording, the coupled with the Record Panel is the only computer-based system that can record up to 108 channels on a laptop.

The Record Panel is an Integrated Part of the ULN-8.

Record Panel

In constant use by thousands of engineers world-wide, the Record Panel is a time-tested, rock-solid recording tool for when you just have to get the take. The prime choice of many A-list FOH/Recording engineers for capturing once-in-a-lifetime live recordings on tour, the RP has proven to be a reliable tool for the capture of multitrack recordings in challenging conditions with no chance for a second take. The Record Panel has also found a home in the Classical recording world — again, where failing to get a take is not an option!

The Record Panel supports recording at all sample rates and supports many different record-file formats (including SD2, AIFF, Wave, Broadcast Wave, and CAF), including basic recording metadata. The RP even supports recording at 16-bit for reduced disk space requirements (for recordings that don't require ultimate fidelity).

The v.5 Console enhances the rock-solid performance of the Record Panel with new work-flow features, including configuration of active tracks, ordering of tracks, record-enables directly from the mixer control surface, and enhancements to playback performance.

With the introduction of the ULN-8, the Record Panel has been further enhanced to support seamless breaks during recording, automatically enforced file-size limits for enhanced compatibility with a variety of DAWs and support for Timestamping of BWAV files with TOD or timestamps derived from SMPTE LTC. SMPTE LTC can be decoded from any input (including the ULN-8’s dedicated SMPTE input).

Sophisticated State Management

MIO Console automatically tracks all the system configuration documents that you create and use, so you can switch between configurations with a single click. This is excellent for when you have your MIO connected to your computer, but what if you want to use your MIO without your computer say as a standalone converter, signal processor or mixer?

All hardware has support for setting a Boot State — the configuration the hardware will use when the unit boots up. As of v.5 of the software, this boot state includes the entire state of the unit including the configuration of the mixer, the router, sample rate, clocking, analog I/O levels (for HW that has digital control), and +DSP configuration.

This functionality allows you to fully configure your hardware and “pour” a complete digital signal processing engine into the HW for instant-on processing. With this functionality, you can turn your MIO into any stand-alone effects processor you can imagine. This is perfect for installation and live theater as well as remote recording and even upgrading your living room listening rig!

ConsoleConnect

Metric Halo’s exclusive ConsoleConnect Plug-in allows you to work with your MIO as if it were a part of your DAW or Host of choice. Whether you work in Logic, Nuendo, Cubase, Pro Tools, Digital Performer, GarageBand, Live or any other AU, VST or RTAS host, you can interact with MIO Console directly from within your host, and enjoy Total Recall of all your MIO configuration (Analog Levels, Routing, Mixing, Plug-ins, Monitor Control, etc.) directly from your host application’s session. No other product has integration this complete, and no other product on the market integrates with every host!

Full Support at All Sample Rates

The ULN-8 and v.5 support all features at all sample rates, so you are good to go at 192k. Multiple busses, Plug-ins, reverb, etc. — whatever you want to do, it works at all sample rates. Total processing is only limited by DSP power.

How to Get It

hardware is available from a growing list of authorized resellers in the US and in countries all around the world. In the US, hardware may also be ordered directly from Metric Halo.

To find a dealer or distributor, please check our Dealers Page. To order directly from Metric Halo, mosey on over to the Metric Halo Online Store.

If you need help finding a dealer outside the USA, please get in touch with the distributor for your region: